The small skills, movements, or processes that are the building blocks of magical acts. Techniques themselves are made of fundamental movements or intentions.

a visual and hand-created character-symbol (meaning a symbol made from shapes, lines, arcs, and other elements resembling alpha-numeric structures), a symbol placed on an item for purposes of enchantment.

The magic inherent within and derived from the working with stones, crystals metals, and rocks.

See magical operation.

a model of reality that, while certainly informed by our unconscious is for the most part assembled consciously to enable us a framework for building a magical practice and methodology. Among other considerations our paradigm includes how magic functions and how we might approach it, plus related considerations.

The energetic system that is the human being in totality. The core of this system is a matrix of interconnected bodies that can be conceptualized as layered and overlapping, with each body corresponding to a different plane of existence. These bodies are individually maintained and attuned with one-another through a complex framework of energetic fields, centers, pathways, and meridians. Aspects of the Personal Energy Matrix (or PEM) most people are familiar with include the chakras, the aura, etheric body, astral body, the acupuncture points and pathways, the middle pillar, and so forth. The physical body and mind are part of the PEM, as they are comprised of specific types of energy.

1. A relative measure of the application of energy or the use of force, defined by relation e.g. greater or lesser, high or low, according to relationships with other powers in context. 2. Inherent, significant force, 3. In magical lore this word can also refer to a natural or celestial agent that governs one or more spheres of influence, such as a deity, archangel, or similar, named being or unnamed agents, e.g. powers that be or simply the powers.

The day to day, ongoing work that involves study, practice of skills, refinement of craft and principles, and real-life applications of one’s magic; praxis involves practice as both regular rehearsal for learning & improvement and consistent use within one’s life for the attainment of goals or performance of work.

the hand (and arm) most apt in a person for sending or projecting energy or force; usually but not always the hand the person writes with and more often the arm/hand one throws a ball or uses a hammer with, should this limb be different from the writing hand.

the hand and arm that most naturally receives or takes in energy, usually the opposite of the writing hand and certainly opposite the hand one would throw a ball or use a hammer with.